A recent review of Best in Show, an exhibition of graduate art curated by Pearce & Ramsay in the John Jones Project Space, brought together work by 18 graduates from art colleges around the country. It sparked a heated review in a-n magazine that raises some big questions… We’re interested to hear a wider opinion.
Do today’s fine art graduates have too many opportunities? Should all graduate art be confined to Bloomberg New Contemporaries? Are fine art students ‘running high on ambition and dry on imagination’?
Matt Lippiatt thinks so. What’s your opinion?