The latest addition to the John Jones Art Collection
Simon English Sugar Plum Fairy Etching with Chine Colle and Hand Colouring on 300 GSM Somerset Velvet
When dealing with all limited edition prints it is very important to provide a record and a tracking method that proves the provenance of the image. This is important for the collector and the artist as it increases the value of the artist work. Make sure when getting your image printed there is a certification of the edition, the date of print, which series it belongs to and the paper type.
Art Huddle is a forum for Contemporary Art
At John Jones we have created ‘Art Huddle’ as a means to encourage an exchange of ideas and information between members of creative networks. Art Huddle is also a way for arts professionals to offer information and share strategies for success with emerging artists, acting as a catalyst to encourage professional development.
John Jones is naturally positioned at an axis where different sectors of the art world converge, working with museums, private and commercial galleries, collectors, artists, photographers and designers. At John Jones we have become facilitators, using our situation to connect individuals and generate new opportunities at every angle for the people who we work with. We have now developed a reputation as a resource which supports emerging artists, offers insight to the contemporary art scene, assists collectors in meeting new artists and introduces new artists to galleries.
The latest addition to the John Jones Art Collection
Simon English Sugar Plum Fairy Etching with Chine Colle and Hand Colouring on 300 GSM Somerset Velvet 
When dealing with all limited edition prints it is very important to provide a record and a tracking method that proves the provenance of the image. This is important for the collector and the artist as it increases the value of the artist work. Make sure when getting your image printed there is a certification of the edition, the date of print, which series it belongs to and the paper type.
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